What makes a good subject for a painting.
When I started to paint, I was always at a loss for subject matter. There was of course the limitations set by my technical skills (How to paint shadows? How to paint a tree without painting every single leaf? How to paint a glass vase? etc.) but I was also haunted by this idea that subject matter was important in and of itself.
I learned with time that when people look at a painting, they might see a lot of things that the painter wasn't aware of (and conversely, completely miss all the subtleties the painter painstakingly incorporated in their work!).
But that realization didn't make it easier for me to decide what to paint.
Again, learning about the work of David Hockney came to my rescue. Hockney paints his life. He paints his friends, his house, his pets, his family, his commute... And it still resonates with a lot of people (enough at least to make him one of the most celebrated painters of the 20th century).
When I saw this picture of Hockney with his sweet dogs and their portraits, it brought a smile to my face. I don't particularly like the paintings and the colour palette he chose, but that is irrelevant. What this series did to me as an artist is give me freedom and faith that if it matters to me, it will matter to someone else.
So, for my January 2026 exhibit at The Old School House in Qualicum Beach entitled "What Would Hockney Do" I decided to paint a series of bunnies.
I don't have pets, but if you live in Qualicum Beach like me, you will encounter rabbits almost daily in all parts of town. They come in multiple shades and patterns and are both loved for their inherent cuteness and reviled for the ravages they make in everyone's planters.
This is the first rabbit I painted.